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Eva Fidjeland
  • Female
  • Sweden
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                          Wearable Art! by Eva Fidjeland at VIDA
http://shopvida.com/collections/nikitha








It´s interesting to see the aesthetic relationships these new garment pieces have to your digital work. The fluid transitions between saturated, jewel toned colors are appreciated in both color palates. (I don´t see the medium indicated, but they appear to be dyed silk.) I respond to the long cut of this specific piece, as  the trailing lines of the cape appear to echo the formal divisions between warm and cool hues. The asymmetry of the design creates further visual interest, but isn´t jarring or dissonant. The adjacent piece (a blouse) perhaps offers more of an open field for the painterly design. Without the structure of the garment defining symmetrical boundaries, the washes of green and violet pigment offer surprising contrast when they come up against the lighter half.


(Review written by Kristen T Woodward, Professor of Art at Albright College in Reading, PA)





 






 


 





Swedish Artist Eva Fidjeland Featured by Resident Curator Kristen T Woodward, Professor of Art at Albright College




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The Dancer II


Presumably a group of self-portraits, this series of Dancer portraits is equivocally voyeuristic in the soft keyhole shadowing of the pictures edges along with the penchant for embellishing costume. I like the tempered restraint of Dancer II, which presents a darker contrast to the overall blue pattern, and a haloed richness in the saturation of the figure´s hair and sienna background. While there´s a decisiveness in the sideways profile of the head, the delicate curl of golden hair points towards her mouth as if to await declaration.


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The Red Lady IV had a decidedly different mood despite small actual changes in the model lightning and attire. Being that the subject isn´t fully transformed, I don´t feel that different characters are being created, but that the viewer is invited into the psychological exploration of facets of an archetype. The direct stare of The Red Lady and elevated position of her face above the viewer´s natural eye-line creates an aura of superiority or rebellious dissent, while the conflicting orange and blue hues aid the instinct of competition. In a more graphic way, the figure is also presented as a Pop diva, haughtily looking down on the viewer in her feathered boa. Provocative in stature, the light source seems to glow from within rather than from an external bright light, and therefore she holds our interest and curiousity. Kristen T Woodward Professor of Art, Albright College Reading PA


January 21, 2014   http://www.artists2artists.net/photo/the-dancer-ii






         Artist, poet, photographer
                   Eva Fidjeland


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          Orrefors Railway Station
     http://orreforsjvn.wordpress.com

What makes Swedish artist Eva Fidjeland so unique is her ability to create pieces of art using natural, earthly tones while maintaining a commitment to photography, digital art, and traditional visual art. Eva Fidjeland has the ability to see the elements of the world as they are, including the beauty that is nature and animal life, and recreate them in the form of art that has cultural relevance to audiences across the world. Her cultural pieces would fit seamlessly in any gallery or museum in any part of the world.
(Quote from review written by Dominic Richardson, writer/editor at Art Bracket LLC)
http://artbracket.com/profiles/blogs/eva-fidjeland-versatile-artist-with-perfect-earthly-style


Eva Fidjeland´s Art Captures the Human Experience


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When art captures the essence of the human experience, it reveals aspects of humanity under a bright spotlight. The art emphasizes these qualities directly, pointing observers toward images that will challenge our current perspectives of the world. The artist, as the creator of such pieces of art, is responsible for the design and creation of these images; their process is similar to the process of unveiling, in which the artist will seek to bring the observer closer to truths through images.

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Eva Fidjeland´s art brings observers closer to the truth of understanding the human process of healing. Fidjeland´s art exists within an extraordinary global context. The world has separated the concept of healing within a dichotomous line. Eastern cultures typically incorporate healing concepts within their aspects of a life holistically, while many western cultures view healing as the mere recovery of illness or injury. Many citizens of the world carry a perception of healing that lays somewhere in between.


healing, World, process, holistic, western, Eastern, art, arts, artist, Eva Fidjeland, copyright, Art Bracket, blog, profile, perception
healing, World, process, holistic, western, Eastern, art, arts, artist, Eva Fidjeland, copyright, Art Bracket, blog, profile, perception


Eva Fidjeland´s art emphasizes the human need to challenge these perceptions through captivating mixed media design, color and examination of the human body. Eva Fidjeland´s art asserts the concept of healing is far from esoteric, promoting the idea that healing is a natural, organic part of the human condition that connects us to the world in which we live.
DOMINIC RICHARDSON, writer/editor at Art Bracket LLC


http://artbracket.com/profiles/blogs/eva-fidjeland-s-art-captures-the-human-experience?xg_source=activity


Primary Forms with a Bold Function


090rep I like the slight melancholy mystery of these images. In general, the softened palette and contrast evokes a faded memory, but the primary forms have a bold function.
`Evolution´ employs a primordial form, spiraling up out of the water like a mythic sea creature. I also see the faintly grainy quality and washed out magenta tonality as harkening back to old photographic documentary film, though I´m unsure of the media/process actually employed here. I find the vertical orientation is also unexpected for the surreal landscape, as the weighty spiral form doesn´t appear able to sustain its upward thrust for long, as it curls into itself.


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 The piece entitled `Liz´ is an enticing picture as well; some more direct photographic reference to lizards is evident, but there is also a diffused manipulation of the image that muffles direct or overt pictorial representation. The resulting image calls to mind pictographic symbolism from a host of ethnic traditions and artistic eras. In this way, `Liz´ reminds me of a mellowed Florence Putterman painting. So the piece seems less about the natural subject depicted, and more about the state of flux, or evanescent movement.
(Written on May 11, 2013 by resident curator Kristen T Woodward, Professor of Art at Albright College in Reading PA, USA). http://artists2artists.net/photo/Liz




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         Eva Fidjeland on Pagan Poet

”Eva Fidjeland´s poems are potent with a powerful kind of beauty and zest for life, far from the romantic kind”.     http://paganpoet.com/Eva-Fidjeland-artist-poet-photographer







  


<img src="http://stats.wordpress   

2014 Artists Of The Year

 






Congratulations  to





 

The World Artist Exchange

2014   Artists of the Year:

 

BRIAN  LOOKER   from  New Zealand

EVA  FIDJELAND  from  Sweden

DIANNE  KEADY-TRAVEL  LOAFERS  from  Ireland

MARC  G. DOUTHERD  from Tuscon,  Arizona

MARY  PALMER  from Madison, Wisconsin

 

 Visit World Artist Exchange:

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Eva Fidjeland´s Art Captures the Human Experience

Eva Fidjeland – artist, poet, photographer

 http://metrobloggen.se/lucidora

What makes Swedish artist Eva Fidjeland so unique is her ability to create pieces of art using natural, earthly tones while maintaining a commitment to photography, digital art, and traditional visual art. Eva Fidjeland has the ability to see the elements of the world as they are, including the beauty that is nature and animal life, and recreate them in the form of art that has cultural relevance to audiences across the world. Her cultural pieces would fit seamlessly in any gallery or museum in any part of the world.

(Quote from review written by Dominic Richardson, writer/editor at Art Bracket LLC)

http://artbracket.com/profiles/blogs/eva-fidjeland-versatile-artist-with-perfect-earthly-style

  E

Eva Fidjeland is an artist born in Stockholm 1955.

Her art reflects cultural influences from childhood years spent in Portugal,

Lebanon, Iran and Afghanistan. In 1978 she went to live in the artists´

village Ein Hod, Israel. There she learned the art of making stained glass

from Professor Joseph Chaaltiel.      http://ein-hod.info/artists/ora

037

Upon returning to Stockholm she was approached by the Vasa Museum and

appointed  to reconstruct glass parts for the Vasa Ship.The New Vasa Museum

was inaugurated in 1990.       http://www.vasamuseet.se/en/The-Ship

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Eva Fidjeland has exhibited her art work at numerous museums and galleries

in Sweden and abroad.   http://galerie-stexwig.com

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Eva Fidjeland Blog:   http://EvaFidjeland.blog.com


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http://musecube.com/EvaFidjeland

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At 10:26am on November 29, 2013, Horus said…

At 10:26am on November 29, 2013, Horus said…

At 1:50pm on September 15, 2012, Myriel RAouine said…

WELCOME to this Sacred Space of Lightgrid

 

 

Thank you for joining and connecting :-)
Have you already found out when connection time is for you? You find links to the time convertor at the main page and in the group "Lightgrid", where you also find a discussion with explanations on how to connect and an overview of what we are doing during connection times. There are no rules, no right or wrong - just find out the best method for YOU to connect to us all with the help of the Violet Ray :-)
If you have questions or doubts, please leave a comment here or contact me or one of the administrators.
In our group onPersonal Meditation and Connection Experiences you may find additional inspiration and if you would like to see what we have been doing lately, go to our group called "Lightgrid Messages".
Discussions which are posted in groups are usually not shared with all the members of lightgrid, therefore I ask you to have a look at the groups, decide which ones arouse your interest and join them.
There are several groups where we support each other and I invite you to make friends, exchange experiences and Help our Mother Earth and all Her Beings together with all of us :-)
Love, Light and Blessings,
Your LIGHTGRID team

 
 
 

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Ascension is not about leaving the world - it is about bringing HEAVEN down to EARTH!

 

We are the living BRIDGE between the worlds and dimensions, between HEAVEN AND EARTH. We are free to move in TIME and SPACE when we enter the SACRED SPACE of the Divine Chamber of the HEART  where the ThreeFold Flame resides and the god given Divine Blueprint is waiting to be downloaded into our earth bodies.

 

The TIME to ACTIVATE our Light Body is NOW.

 

Love Light BLESSINGS,

 

Sonja Myriel RAouine

"About the Use of the Violet Flame" 

Excerpt:

I have to tell you that when you as a conscious disciple manage the Violet Flame, a parallel activity of the Violet Flame is initiated internally. This results in the vibrational awakening of your chakras. Therefore, each time when you use the gift of the Violet Flame you are asked not only to focalize your attention on what you want to transmute but also on the internal activity which takes place within yourself.

One of the consequences of the continual use of the Violet Flame is the accelerated awakening of all your chakras, you will, step by step, wake up in a different world from where you live now.

https://lightgrid.ning.com/group/lightgrid/forum/topics/lightgrid-tw...

 

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