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Uluru is an outstanding natural phenomenon, whereby the giant rock changes it colors according to the day's weather. The colors vary from bright red to dark gray or black during sunny or rainy days respectively.Located 440 kilometres south-west of Alice Springs in the Uluru-Kata Tjuta National Park. 40 kilometres to the west of Uluru/Ayers Rock is Kata Tjuta, also known as The Olgas. This massive pile of rock domes dates back 500 million years.

Ayers Rock is also known by its Aboriginal name 'Uluru'. It is a sacred part of Aboriginal creation mythology, or dreamtime - reality being a dream. Uluru is considered one of the great wonders of the world and one of Australia's most recognizable natural icons. Uluru is a large magnetic mound large not unlike Silbury Hill in England. It is located on a major planetary grid point much like the Great Pyramidin Egypt.

Uluru (also Ayers Rock or The Rock) is a large sandstone rock formation in central Australia, in the Northern Territory. It is located in Uluru-Kata Tjuta National Park, 350 km southwest of Alice Springs at 25 degrees 20' 41" S 131 degrees 01' 57" E. It is the second-largest monolith in the world (after Mount Augustus, also in Australia), more than 318 m (986 ft) high and 8 km (5 miles) around. It also extends 2.5 km (1.5 miles) into the ground. It was described by explorer Ernest Giles in 1872 as "the remarkable pebble".'

Uluru is an inselberg, literally "island mountain", an isolated remnant left after the slow erosion of an original mountain range. Uluru is also often referred to as a monolith, although this is a somewhat ambiguous term because of its multiple meanings, and thus a word generally avoided by geologists. The remarkable feature of Uluru is its homogeneity and lack of jointing and parting at bedding surfaces, leading to the lack of development of scree slopes and soil. These characteristics led to its survival, while the surrounding rocks were eroded. For the purpose of mapping and describing the geological history of the area, geologists refer to the rock strata making up Uluru as the Mutitjulu Arkose, and it is one of many sedimentary formations filling the Amadeus Basin.

Age and Origin

The Mutitjulu Arkose is believed to be of about the same age as the conglomerate at Kata Tjuta, and to have a similar origin despite the rock type being different, but it is younger than the rocks exposed to the east at Mount Conner, and unrelated to them. The strata at Uluru are nearly vertical, dipping to the south west at 85 degrees, and have an exposed thickness of at least 2,400 m (7,900 ft).

The strata dip below the surrounding plain and no doubt extend well beyond Uluru in the subsurface, but the extent is not known. The rock was originally sand, deposited as part of an extensive alluvial fan that extended out from the ancestors of the Musgrave, Mann and Petermann Ranges to the south and west, but separate from a nearby fan that deposited the sand, pebbles and cobbles that now make up Kata Tjuta.

The similar mineral composition of the Mutitjulu Arkose and the granite ranges to the south is now explained. The ancestors of the ranges to the south were once much larger than the eroded remnants we see today. They were thrust up during a mountain building episode referred to as the Petermann Orogeny that took place in late Neoproterozoic to early Cambrian times (550-530 Ma), and thus the Mutitjulu Arkose is believed to have been deposited at about the same time.

The arkose sandstone which makes up the formation is composed of grains that show little sorting based on grain size, exhibit very little rounding and the feldspars in the rock are relatively fresh in appearance. This lack of sorting and grain rounding is typical of arkosic sandstones and is indicative of relatively rapid erosion from the granites of the growing mountains to the south. The layers of sand were nearly horizontal when deposited, but were later tilted to their near vertical position during a later episode of mountain building, possibly the Alice Springs Orogeny of Palaeozoic age (400-300 Ma).

Despite current estimates of the age of the geological formations that comprise Uluru, however, the arkose sandstone which makes up the formation is composed of grains that are many different sizes and are jagged, and the feldspars in the rock are fresh and shiny. Flood geologists argue that this indicates a comparatively fast deposit, on the order of only a few years or less. They state that if the arkose grains had been transported more slowly they would be more rounded and evenly sorted, and the feldspars would have turned to clay in the intervening years.


Archaeological findings to the east and west indicate that humans settled in the area more than 10,000 years ago. Europeans arrived in the Australian Western Desert in the 1870s. Uluru and Kata Tjuta were first mapped by Europeans in 1872 during the expeditionary period made possible by the construction of the Australian Overland Telegraph Line. In separate expeditions, Ernest Giles and William Gosse were the first European explorers to this area.

While exploring the area in 1872, Giles sighted Kata Tjuta from a location near Kings Canyon and called it Mount Olga, while the following year Gosse observed Uluru and named it Ayers Rock. Further explorations followed with the aim of establishing the possibilities of the area for pastoralism. In the late 1800s, pastoralists attempted to establish themselves in areas adjoining the South western/Petermann Reserve and interaction between Anangu and white people became more frequent and more violent. Due to the effects of grazing and drought, bush food stores became depleted. Competition for these resources created conflict between the two groups, resulting in more frequent police patrols. Later, during the depression in the 1930s, Anangu became involved in dingo scalping with 'doggers' who introduced Anangu to European foods and ways.

Between 1918 and 1921, large adjoining areas of South Australia, Western Australia and Northern Territory were declared as Aboriginal reserves, sanctuaries for nomadic people who had virtually no contact with European settlers. In 1920, part of Uluru - Kata Tjuta National Park was declared an Aboriginal Reserve (commonly known as the South-Western or Petermann Reserve) by the Australian government under the Aboriginals Ordinance.

The first tourists arrived in the Uluru area in 1936. Beginning in the 1940s, permanent European settlement of the area for reasons of the Aboriginal welfare policy and to help promote tourism of Uluru. This increased tourism prompted the formation of the first vehicular tracks in 1948 and tour bus services began early in the following decade.

In 1958, the area that would become the Uluru - Kata Tjuta National Park was excised from the Petermann Reserve; it was placed under the management of the Northern Territory Reserves Board and named the Ayers Rock - Mount Olga National Park. The first ranger was Bill Harney, a well-recognised central Australian figure. By 1959, the first motel leases had been granted and Eddie Connellan had constructed an airstrip close to the northern side of Uluru.

On 26 October 1985, the Australian government returned ownership of Uluru to the local Pitjantjatjara Aborigines, with one of the conditions being that the Anangu would lease it back to the National Parks and Wildlife agency for 99 years and that it would be jointly managed. The Aboriginal community of Mutitjulu, population of approximately 300, is located near the western end of Uluru. From Uluru it is 17 km (11 mi) by road to the tourist town of Yulara, population 3,000, which is situated just outside of the national park.

Kata Tjuta National Park is owned and run by the local Aboriginals. The Australian government handed ownership of the land back to the Aboriginals some years ago.


The local indigenous community request that visitors respect the sacred status of Uluru by not climbing the rock, with signs posted to this effect. In 1983 the former Prime Minister of Australia, Bob Hawke, promised to respect the request from the community that climbing Uluru be prohibited, but broke his promise when title was handed to the traditional owners in 1985 because access for tourists to climb Uluru was made a condition before they could receive the title. The climb crosses an important dreaming track, which has been a cause of sadness and distress among traditional owners. Neverthless, they are unable to prohibit climbing, and climbing Uluru is a popular attraction for a large fraction of the many tourists who visit it each year. A rope handhold makes the climb easier, but it is still quite a long and steep climb and many intended climbers give up partway up. There are several deaths a year as a direct result of climbing the rock, mainly from heart failure.

The Rock is arkose, a course-grained sandstone rich in feldspar at least 2.5 km thick. Uplifting and folding between 400-300 mya turned the sedimentary layers nearly 90 degrees to their present position. The surface has then been eroded.

Depending on the time of day and the atmospheric conditions, the rock can dramatically change color, anything from blue to violet to glowing red. Many avid photographers set up for days and record the many changing colors of Uluru.

Mount Urulu Turned Violet

Uluru went from red to violet on June 1, 2004,
waterfalls on the rocks causing the color change.

Ayers Rock was named for the Premier of South Australia, Sir Henry Ayers. It extends down over 3 and a half miles beneath the surface. Approximately 500 million years ago it was part of the ocean floor at the center of Australia. Some report that there is a light source emanating at various times of the year. Most likely this can be explained scientifically.

The Aborigines believe that there it is hollow below ground, and that there is an energy source that they call 'Tjukurpa' the dream time.The term Tjukurpa is also used to refer to the record of all activities of a particular ancestral being from the very beginning of his or her travels to their end. Anangu know that the area around

Ayers Rock (Mount Uluru) is inhabited by dozens of ancestral 'beings' whose activities are recorded at many other sites. At each site, the events that took place can be recounted, whether those events were of significance or whether the ancestral being just rested at a certain place before going on.

Usually, there is a physical feature of some form at each ancestral site which represents both the activities of the ancestral being at the time of its formation and the living presence of Tjukurpa within that physical feature today. For the Australian Aboriginal people, that physical feature, whatever its form or appearance, animate or inanimate, is the Tjukurpa. It may be a rock, a sand hill, a grove of trees, a cave. For all of these, the creative essence remains forever within the physical form or appearance.

Around Mount Uluru there are many examples of ancestral sites. The Anangu explanations of these sites and of the formation of Mount Uluru itself derive from the Tjukurpa. Most of these explanations are in the realm of secret information and are not disclosed to Piranypa, the non-Aborigines.

'The Dreaming' is not a creation myth, per se, but a myth of formation. The world existed, but was featureless. Giant semi-human beings, resembling plants or animals, rose up from the plains where they had been slumbering for countless ages.

These ancient heroes roamed the land aimlessly. As they wandered around, they carried out the tasks that the present Aborigines do today including camping, making fires, digging for water, fighting each other, and performing ceremonies. When the heroes became tired of doing these things, Dreamtime came to an end.

Wherever the creators had been active, some form of natural feature now marks the place. The creators made everything with which the aborigines are in daily contact and from which they gain their living. The heroes also established laws that govern all aspects, both secular and sacred, of the tribes.

Dreamtime was in the past, but it is the Aborigines present religion and culture. The saying, 'As it was done in the Dreamtime, so it must be done today,' dominates all aspects of aboriginal behavior. Because of their beliefs in 'the dreaming,' ceremonies and rituals are held, stories are told, pictures are drawn, and daily life is defined.

In order to understand the religion of the Aborigines, one must have a basic understanding of the organization of the tribes. All men and women belong to small groups, called clans. Each clan posses a distinct body of spiritual properties, or sacred sites. A clan may have several sacred sites that they claim, and the area surrounded by the connection of these sites forms the clan's estate. Clans are linked by common religious traditions, intermarriage, shared dialects, and overlapping foraging rights.

Stone monument made by the heroic ancestors

Clans people of the crow believe they are descended from
the Dreamtime's crow spirit who became a man.

Each clan has a totem. 'Totemism is a view of nature and life, of the universe and man, which colors and influences the Aborigines' social groupings and mythologies, inspires their rituals and links them to the past. It unites them with nature's activities and species in a bond of mutual life-giving, and imparts confidence amidst the vicissitudes of life'. The totem provides a tangible expression of a man's relationship to his deities. Everything in the Aboriginal world contains an essence or spirit that had its beginnings in the Dreamtime. Each person descended from one of these spirits and possessed some of its life force. The spirit it descended from is the person's totem. Images of totems make-up a large part of Aboriginal art. They were painted on cave walls, which we title rock art, drawn on the interiors of their huts, drawn on their bodies, and carved in wood. Totemic spirits are celebrated in ceremonies and rituals, and played a prominent part in Aboriginal myth.

Myths, Legends and Aboriginal Traditions

According to the Anangu traditional landowners of Uluru:

"The world was once a featureless place. None of the places we know existed until creator beings, in the forms of people, plants and animals, traveled widely across the land. Then, in a process of creation and destruction, they formed the landscape as we know it today. Anangu land is still inhabited by the spirits of dozens of these ancestral creator beings which are referred to as Tjukuritja or Waparitja."

There are a number of unauthenticated accounts of the Aboriginal ancestral stories for the origins of Uluru and its many cracks and fissures. One such account, taken from Robert Layton's (1989) ULURU: An Aboriginal history of Ayers Rock, reads as follows:

"Uluru (Ayers Rock) was built up during the creation period by two boys who played in the mud after rain. When they had finished their game they travelled south to Wiputa ..Fighting together, the two boys made their way to the table topped Mount Conner, on top of which their bodies are preserved as boulders" (Page 5)

Two other accounts are given in Norbert Brockman's (1997) Encyclopedia of Sacred Places. The first tells of serpent beings who waged many wars around Uluru, scarring the rock. The second tells of two tribes of ancestral spirits who were invited to a feast, but were distracted by the beautiful Sleepy Lizard Women and did not show up. In response, the angry hosts sang evil into a mud sculpture that came to life as the dingo. There followed a great battle, which ended in the deaths of the leaders of both tribes. The earth itself rose up in grief at the bloodshed, becoming Uluru.

The Commwealth Department of Environment's webpage advises:

"Many .. Tjukurpa such as Kalaya (Emu), Liru (poisonous snake), Lungkata (blue tongue lizard), Luunpa (kingfisher) and Tjintir-tjintirpa (willie wagtail) travel through Uluru-Kata Tjuta National Park. Other Tjukurpa affect only one specific area.

"Kuniya, the woma python, lived in the rocks at Uluru where she fought the Liru, the poisonous snake."

It is sometimes reported that those who take rocks from the formation will be cursed and suffer misfortune. There have been many instances where people who removed such rocks attempted to mail them back to various agencies in an attempt to remove the perceived curse.

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So it IS ...!

Your heart never lies - Uluru, Lemuria - MU - Zoolithe, you are graceiously GUIDED :-)


Comment by Zoolithe`*.¸.*.♥.✿´´¯`•.20 minutes agoDelete Comment


Leumuria was just off the east coast of Australia near New Zealand,I have recently made contact with my Lemurian family,I am a strong soul but I have been very emotional lately,especially when Blossom stopped channeling The Federation of Light,I have a strong connection to them and recently I was contacted by my soul mate Claud an extraterrestrial that is being coached by Adama of Telos to reach me,this is why i have started using the name Zoolithe that spirit gave me a couple of years ago,I thought it would assist me own that aspect of me so that it will assist me with contact,so thank you Arleem,I also was told this by The White on another site :

Iam also a Member of ,all do I have minimized my participation in many Groups this Days due to my imediatly and proirities responsabilities in The monastery.

Back in Tibet again ,Iam an active member of The Great White Lodge and Right now Working in The Temple of The Eternal Youth next to Shamballa.


You are Going to Need a Special Teacher to be able to Decoded Light Language and The Wisdom of this Crystals ,and That Teacher is none other that your Divine Mother Kundalini ,The Fire of The Fire Withing you ,you must learn How to conmunicate with Her ,Please Fallow This Mantra to Start to Learn how to Silence The Mind " Silence is The Eloquence of wisdom ".
Once you feel that you optain Silence you must call her like this,
prolonging the Sounds ,until she apears ,then you can ask her all the Secrets of The Universe and your own inner Universe,
Remember we all come from different Rays and we all vibrate to a Different Sound,so The Coding will be Different for each one of Us.
you must find your Magical Note your Magical Key To open up your Light Treasures and The Magical Wonders of Your Own Inner Universe
The Communication with Your Divine Mother is The Key to The Mysteries of Life and Dead , She has the Key of The Elixir of Eternal Life and ThE Revelation and Wisdom behind The Power of The Cristals etc.
What is a Child without Her ? find her and Find Your Self







Oh my dear - now I see this:

cracks in TIME 

cracks - tracks - specks


the SPECKS of the JAGUAR ...

The JAGUAR is my totem

It connects me to the lands of the Maya



And I google: ISIS Jaguar and find this:


ISIS JAGUAR Transmission:


As Deborah begins speaking, the Sacred Temple space appears in my mind's eye; round, partially underground with 13 openings to the stars... I feel the four Divine Masculine Emissaries Deborah speaks of quite often, Metatron, Melchizedek, Michael and Maitreya, comprising a beauteous Foursquare/Foundational/Infrastructural Blessing for what is to come...

As the Jaguar language/energy begins coming through I see a cloaked female form who embodies all we've ever experienced as Divine-Maternal/-Feminine archetypes and energies, from the most primeval to the most cosmic, all, named and unnamed... Her face in shifting patterns of shadow and moonlight takes on the shapes and colors of every nation, every culture, every manner of expression we know on Earth and that live within the reaches of our imaginations. Then to my assimilative capacities, it feels as if what she is saying speaks not only to each and every life ever dedicated to the Mother, to Goddess, to Isis, but to every heart of whose Essence the very walls of this sacred cloister are made.

I see this Being slowly walking the perimeter of the Temple's inner circle as she Speaks Our Names. She comforts, she beckons, she croons, she exhorts, her Voice tinkling bells and thunder at once; she calls from the core of all we've known as every language. Her feet anchored within the Beyond, singing into even the farthest, most yet-fragmented reaches and corners of us precisely, what we each most need to hear...resonating and turning the key of what each most needs to feel, to Know Themselves One, Whole, Safe....

This Cosmic Mother holds within her Being all cycles and rhythms known and unknowable that resonate into our Earthly experience on any level; within Her does All come full circle, Begin and End...and from within Her does All Rebirth come to Be... Those last tones/words

from Her in the Jaguar language feel powerfully blended with Deborah's words that allude to the divine role of Sun, of Momentum and all the Sacred Masculine brings to Rebirth.

As the last Jaguar phrasing within this transmission ended, my vision of Her continued on... I could see Her shift into the Center of the Temple, and She begins the dance that lives at the root of all sacred dance; through the conduit of this form She infuses the Temple space with the All-Encompassing Loving Embrace of Infinity. And from There I see Her smiling and laughing, Her single Eye to the stars, ablaze with them. Within Herself she feels each of our Hearts stirring, quickening to Her Voice and Being, each precious, sacred spark arising within Her.

Susan Sanford, Esoteric Astrologer

Does all this make any sense?!?

What a fantastic compilation of info. Thank you for sharing!


Yes...last week...> I'm humbled by all the people that sent prayers & healing my way from all around the world. Not much pain @ the moment.

Bless you sisSTAR



Help us to anchor the energy of the New Age on Earth. Get inspired and set up a grid with the intention to help HEAL Mother Earth and all Her Beings from the wounds of the past and WEAVE a new net of living LIGHT all around the planet to help all life forms evolve into Unity Consciousness.


Ascension is not about leaving the world - it is about bringing HEAVEN down to EARTH!


We are the living BRIDGE between the worlds and dimensions, between HEAVEN AND EARTH. We are free to move in TIME and SPACE when we enter the SACRED SPACE of the Divine Chamber of the HEART  where the ThreeFold Flame resides and the god given Divine Blueprint is waiting to be downloaded into our earth bodies.


The TIME to ACTIVATE our Light Body is NOW.




Sonja Myriel RAouine

"About the Use of the Violet Flame" 


I have to tell you that when you as a conscious disciple manage the Violet Flame, a parallel activity of the Violet Flame is initiated internally. This results in the vibrational awakening of your chakras. Therefore, each time when you use the gift of the Violet Flame you are asked not only to focalize your attention on what you want to transmute but also on the internal activity which takes place within yourself.

One of the consequences of the continual use of the Violet Flame is the accelerated awakening of all your chakras, you will, step by step, wake up in a different world from where you live now.


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This is the space for you to ORGANISE your personal connexion group, to look for likeminded people, to introduce yourSELF and say what you would like to contribute to the every expanding NET OF LIGHT around the world.


You have received clear guidance on a project,type of meditation, course of action to take? You are WELCOME to share here so we can start DREAMING and thus CREATING together!


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