The Sacred Forms group, is opening to explore the various forms composing our realities here on Earth and throughout the universe.
Sacred Geometry is the blueprint of Creation and the genesis of all form. It is an ancient science that explores and explains the energy patterns that create and unify all things and reveals the precise way that the energy of Creation organizes itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more geometric shapes.
As you enter the world of Sacred Geometry you begin to see as never before the wonderfully patterned beauty of Creation. The molecules of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, a nautilus shell, the star we spin around, the galaxy we spiral within, the air we breathe, and all life forms as we know them emerge out of timeless geometric codes. Viewing and contemplating these codes allow us to gaze directly at the lines on the face of deep wisdom and offers up a glimpse into the inner workings of the Universal Mind and the Universe itself.
The ancients believed that the experience of Sacred Geometry was essential to the education of the soul. They knew that these patterns and codes were symbolic of our own inner realm and the subtle structure of awareness. To them the "sacred" had particular significance involving consciousness and the profound mystery of awareness ….. the ultimate sacred wonder. Sacred Geometry takes on another whole level of significance when grounded in the experience of self-awareness.
As far back as Greek Mystery schools 2500 years ago, we as a species were taught that there are five perfect 3-dimensional forms -The tetrahedron, hexahedron, octahedron, dodecahedron, and icosahedron. Collectively these are known as The Platonic Solids -- and are the foundation of everything in the physical world. Modern scholars ridiculed this idea until the 1980's, when Professor Robert Moon at the University of Chicago demonstrated that the entire Periodic Table of Elements -- literally everything in the physical world -- is based on these same five forms! In fact, throughout modern Physics, Chemistry, and Biology, the sacred geometric patterns of creation are being rediscovered, but often without the greater context of spiritual understanding which protects against their misuse. One of our intentions with lightSource, is to provide a bridge to an intuitive spiritual understanding that is in alignment with the appropriate use of this knowledge.
Geometric shapes actually represent the manifest stages of 'becoming'. To see and work with unity and wholeness in geometry can help abolish our false notion of separateness from nature and from each other. Through Sacred Geometry we can discover the inherent proportion, balance and harmony that exists in any situation, all manifest reality and even the circumstances of our day-to-day life.
It was Marcel Proust who said, " The real voyage of discovery consists not in seeking new lands but seeing with new eyes."
The Energy in Action
Leonardo Fibonacci was an Italian mathematician who introduced to Europe and popularized the Hindu-Arabic number system (also called the decimal system). He contributed greatly to number theory, and during his life published many important texts. He is also known for the Fibonacci Series, a numerical series found frequently in the natural world.
The Fibonacci sequence is generated by adding the previous two numbers in the list together to form the next and so on and so on.(1, 1, 2, 3, 5, 8, 13, 21, 34, 55...). Divide any number in the Fibonacci sequence by the one before it, for example 55/34, or 21/13, and the answer is always close to 1.61803. This is known as the Golden Ratio.
One of the most profound and significant activities encompassed within sacred geometry is the 'Golden Mean Spiral', derived by using the 'Golden Ratio'.
The Golden Mean was used in the design of sacred buildings in ancient architecture to produce spiritual energy that facilitated connectivity with spiritual realms through prayer. Our reality is very structured, and indeed Life is even more structured. This is reflected though Nature in the form of geometry. Geometry is the very basis of our reality, and hence we live in a coherent world governed by unseen laws. These are always manifested in our world. The Golden Mean governs the proportion of our world and it can be found even in the most seemingly proportion-less (active) living forms. Clear examples of Sacred Geometry (and Golden Mean geometry) in Nature and matter: All types of crystals, natural and cultured. The hexagonal geometry of snowflakes. Creatures exhibiting logarithmic spiral patterns: e.g. snails and various shell fish. Birds and flying insects, exhibiting clear Golden Mean proportions in bodies & wings. The way in which lightning forms branches. The way in which rivers branch. The geometric molecular and atomic patterns that all solid metals exhibit. The way in which a tree spans out so that all its branches receive sunlight Another, perhaps less obvious but most significant example of this special ratio can be found in Deoxyribonucleic Acid (DNA) - the foundation and guiding mechanism of all living organisms. Click this picture of the Sri Yantra to see how it is it created :) The understanding of geometry as an underlying part of our existence is nothing new, and in fact the Golden Mean and other forms of geometry can be seen imbedded in many of the ancient monuments that still exist today. The Great Pyramid (the oldest of these structures) at Giza is a good example of this. The height of this pyramid is in Phi ratio (e.g. the Golden Mean Ratio) to its base. In fact, the geometry in this particular structure is far more accurate than that found in any of today's modern buildings.
This explains why popular among spiritually significant shapes are pyramids and hemispheres (e.g. the domes, that are the basis of religious buildings, be it a mosque, a church or a synagogue). These particular shapes are energy emitters; they are shapes that produce a type of penetrating carrier wave which Chaumery and De Belizal named negative green (which acts as carrier-like radio waves that carry sound information). The vibrational quality of the Golden Mean gives it very strong communication properties, which facilitate resonance with higher realms in prayer.
We live in the 3rd dimension, or the 'Plane of Manifestation'. The Golden Mean is an intra-dimensional doorway though which matter emerges into manifest 3-D reality. For example, when a star is born it follows specific number sequences or universal rules, the same rules of life in the expansion process. Then we see the light!
Thus the Golden Mean is the "fingerprint" of creation. When we re-create this moving and always expanding sequence, we have in effect - 'the exact movement of creation in the expansion process'.
In nature, we find patterns, designs and structures from the most minuscule particles, to expressions of life discernible by human eyes, to the greater cosmos. These inevitably follow geometrical archetypes, which reveal to us the nature of each form and its vibrational resonances. They are also symbolic of the underlying metaphysical principle of the inseparable relationship of the part to the whole. It is this principle of oneness underlying all geometry that permeates the architecture of all form in its myriad diversity. This principle of interconnectedness, inseparability and union provides us with a continuous reminder of our relationship to the whole, a blueprint for the mind to the sacred foundation of all things created.
(charcoal sketch of a sphere by Nancy Bolton-Rawles) Starting with what may be the simplest and most perfect of forms, the sphere is an ultimate expression of unity, completeness, and integrity. There is no point of view given greater or lesser importance, and all points on the surface are equally accessible and regarded by the center from which all originate. Atoms, cells, seeds, planets, and globular star systems all echo the spherical paradigm of total inclusion, acceptance, simultaneous potential and fruition, the macrocosm and microcosm.
The circle is a two-dimensional shadow of the sphere which is regarded throughout cultural history as an icon of the ineffable oneness; the indivisible fulfillment of the Universe. All other symbols and geometries reflect various aspects of the profound and consummate perfection of the circle, sphere and other higher dimensional forms of these we might imagine.
The ratio of the circumference of a circle to its diameter, Pi, is the original transcendental and irrational number. (Pi equals about 3.14159265358979323846264338327950288419716939937511...) It cannot be expressed in terms of the ratio of two whole numbers, or in the language of sacred symbolism, the essence of the circle exists in a dimension that transcends the linear rationality that it contains. Our holistic perspectives, feelings and intuitions encompass the finite elements of the ideas that are within them, yet have a greater wisdom than can be expressed by those ideas alone.
At the center of a circle or a sphere is always an infinitesimal point. The point needs no dimension, yet embraces all dimension. Transcendence of the illusions of time and space result in the point of here and now, our most primal light of consciousness. The proverbial "light at the end of the tunnel" is being validated by the ever-increasing literature on so-called "near-death experiences". If our essence is truly spiritual omnipresence, then perhaps the "point" of our being "here" is to recognize the oneness we share, validating all "individuals" as equally precious and sacred aspects of that one.
Life itself as we know it is inextricably interwoven with geometric forms, from the angles of atomic bonds in the molecules of the amino acids, to the helical spirals of DNA, to the spherical prototype of the cell, to the first few cells of an organism which assume vesical, tetrahedral, and star (double) tetrahedral forms prior to the diversification of tissues for different physiological functions. Our human bodies on this planet all developed with a common geometric progression from one to two to four to eight primal cells and beyond.
Almost everywhere we look, the mineral intelligence embodied within crystalline structures follows a geometry unfaltering in its exactitude. The lattice patterns of crystals all express the principles of mathematical perfection and repetition of a fundamental essence, each with a characteristic spectrum of resonances defined by the angles, lengths and relational orientations of its atomic components.
The Square Root of Two
The square root of 2 embodies a profound principle of the whole being more than the sum of its parts. (The square root of two equals about 1.414213562...) The orthogonal dimensions (axes at right angles) form the conjugal union of the horizontal and vertical which give birth to the greater offspring of the hypotenuse. The new generation possesses the capacity for synthesis, growth, integration and reconciliation of polarities by spanning both perspectives equally. The root of two originating from the square leads to a greater unity, a higher expression of its essential truth, faithful to its lineage.
The fact that the root is irrational expresses the concept that our higher dimensional faculties can't always necessarily be expressed in lower order dimensional terms - e.g. "And the light shineth in darkness; and the darkness comprehended it not." (from the Gospel of St. John, Chapter 1, verse 5). By the same token, we have the capacity to surpass the genetically programmed limitations of our ancestors, if we can shift into a new frame of reference (i.e. neutral with respect to prior axes, yet formed from that matrix-seed conjugation. Our dictionary refers to the word matrix both as a womb and an array (or grid lattice). Our language has some wonderful built-in metaphors if we look for them!
The Golden Ratio
The golden ratio (phi) has some unique properties and makes some interesting appearances:
* phi = phi^2 - 1; therefore 1 + phi = phi^2; phi + phi^2 = phi^3; phi^2 + phi^3= phi^4; ad infinitum.
* phi = (1 + square root(5)) / 2 from quadratic formula, 1 + phi = phi^2.
* phi = 1 + 1/(1 + 1/(1 + 1/(1 + 1/(1 + 1/(1 + 1/...)))))
* phi = 1 + square root(1 + square root(1 + square root(1 + square root(1 + square root(1 + ...)))))
* phi = (sec 72)/2 =(csc 18)/2 = 1/(2 cos 72) = 1/(2 sin 18) = 2 sin 54 = 2 cos 36 = 2/(csc 54) = 2/ (sec 36) for all you trigonometry enthusiasts.
* phi = the ratio of segments in a 5-pointed star (pentagram) considered sacred to Plato and Pythagoras in their mystery schools.
Note that each larger (or smaller) section is related by the phi ratio, so that a power series of the golden ratio raised to successively higher (or lower) powers is automatically generated: phi, phi^2, phi^3, phi^4, phi^5, etc.
* phi = apothem to bisected base ratio in the Great Pyramid of Giza
* phi = ratio of adjacent terms of the famous Fibonacci Series evaluated at infinity; the Fibonacci Series is a rather ubiquitous set of numbers that begins with one and one and each term thereafter is the sum of the prior two terms, thus:
1,1,2,3,5,8,13,21,34,55,89,144... (interesting that the 12th term is 12 "raised to a higher power", which appears prominently in a vast collection of metaphysical literature)
The mathematician credited with the discovery of this series is Leonardo Pisano Fibonacci and there is a publication devoted to disseminating information about its unique mathematical properties, The Fibonacci Quarterly Fibonacci ratios appear in the ratio of the number of spiral arms in daisies, in the chronology of rabbit populations, in the sequence of leaf patterns as they twist around a branch, and a myriad of places in nature where self-generating patterns are in effect.
The sequence is the rational progression towards the irrational number embodied in the quintessential golden ratio.
This most aesthetically pleasing proportion, phi, has been utilized by numerous artists since (and probably before!) the construction of the Great Pyramid.
As scholars and artists of eras gone by discovered (such as Leonardo da Vinci, Plato, and Pythagoras), the intentional use of these natural proportions in art of various forms expands our sense of beauty, balance and harmony to optimal effect.
Leonardo da Vinci used the Golden Ratio in his painting of The Last Supper in both the overall composition (three vertical Golden Rectangles, and a decagon (which contains the golden ratio) for alignment of the central figure of Jesus.
width=200 height=200 style="margin: 10px; float:left "alt="Omega432™ The Flower of Life" title="The Flower of Life" border="0"/> The outline of the Parthenon at the Acropolis near Athens, Greece is enclosed by a Golden Rectangle by design.
The Square Root of 3 and the Vesica Piscis
The Vesica Piscis is formed by the intersection of two circles or spheres whose centers exactly touch. This symbolic intersection represents the "common ground", "shared vision" or "mutual understanding" between equal individuals. The shape of the human eye itself is a Vesica Piscis.
The spiritual significance of "seeing eye to eye" to the "mirror of the soul" was highly regarded by numerous Renaissance artists who used this form extensively in art and architecture. The ratio of the axes of the form is the square root of 3, which alludes to the deepest nature of the triune which cannot be adequately expressed by rational language alone.
This spiral generated by a recursive nest of Golden Triangles (triangles with relative side lengths of 1, phi and phi) is the classic shape of the Chambered Nautilus shell.
The creature building this shell uses the same proportions for each expanded chamber that is added; growth follows a law which is everywhere the same.
The outer triangle is the same as one of the five "arms" of the pentagonal graphic above.
Rotating a circle about a line tangent to it creates a torus, which is similar to a donut shape where the center exactly touches all the "rotated circles."
The surface of the torus can be covered with 7 distinct areas, all of which touch each other; an example of the classic "map problem" where one tries to find a map where the least number of unique colors are needed.
In this 3-dimensional case, 7 colors are needed, meaning that the torus has a high degree of "communication" across its surface. The image shown is a "birds-eye" view.
The progression from point (0-dimensional) to line (1-dimensional) to plane (2-dimensional) to space (3-dimensional) and beyond leads us to the question - if mapping from higher order dimensions to lower ones loses vital information (as we can readily observe with optical illusions resulting from third to second dimensional mapping), does our "fixation" with a 3-dimensional space introduce crucial distortions in our view of reality that a higher-dimensional perspective would not lead us to?
Fractals and Recursive Geometries
There is a wealth of good literature on this subject; it's always fascinating how nature propagates the same essence regardless of the magnitude of its expression...our spirit is spaceless yet can manifest aspects of its individuality at any scale.
Perfect Right Triangles
The 3/4/5, 5/12/13 and 7/24/25 triangles are examples of right triangles whose sides are whole numbers. The graphic above contains several of each of these triangles.
The 3/4/5 triangle is contained within the so-called "King's Chamber" of the Great Pyramid, along with the 2/3/root5 and 5/root5/2root5 triangles, utilizing the various diagonals and sides.
The Platonic Solids
Here are LOTS of math details and images of the Platonic Solids and Archimedean Solids.
The 5 Platonic solids (Tetrahedron, Cube or (Hexahedron), Octahedron, Dodecahedron and Icosahedron) are ideal, primal models of crystal patterns that occur throughout the world of minerals in countless variations.
These are the only five regular polyhedra, that is, the only five solids made from the same equilateral, equiangular polygons. To the Greeks, these solids symbolized fire, earth, air, spirit (or ether) and water respectively. The cube and octahedron are duals, meaning that one can be created by connecting the midpoints of the faces of the other.
The icosahedron and dodecahedron are also duals of each other, and three mutually perpendicular, mutually bisecting golden rectangles can be drawn connecting their vertices and midpoints, respectively. The tetrahedron is a dual to itself.
Here are some animations of counter-rotating polyhedra and images of the Platonic solids showing their relationships as duals.
Here are fold-up patterns for the Platonic Solids.
The Archimedean Solids
There are 13 Archimedean solids, each of which are composed of two or more different regular polygons. Interestingly, 5 (Platonic) and 13 (Archimedean) are both Fibonacci numbers, and 5, 12 and 13 form a perfect right triangle.
Here are fold-up patterns for the Archimedean Solids.
Stellations of The Platonic Solids and The Archimedean Solids
This is a stellation of a dodecahedron where each pentagonal face is capped with a pentagonal pyramid composed of 5 golden triangles, a sort of 3-dimensional 5-pointed star.
The simplest means of constructing Metatron's Cube is to begin with a cube flattened along a diagonal that passes through its center, such that it becomes a 2D figure, equivalent to a regular hexagon divided via its own diagonals into six equilateral triangles. The vertices of this 2D figure are then connected with additional lines. Several steps later, the full Metatron's Cube figure is formed. There is much, spiritual and geometrical significance assigned to Metatron's Cube; to be discussed later (and hopefully added by our group members).
The Flower of Life
Indelibly etched on the walls of temple of the Osirion at Abydos, Egypt, the Flower of Life contains a vast Akashic system of information, including templates for the five Platonic Solids and the key to 432hz music.
The Flower of Life is the modern name given to a geometrical figure composed of multiple evenly-spaced, overlapping circles, that are arranged so that they form a flower-like pattern with a sixfold symmetry like a hexagon. The center of each circle is on the circumference of six surrounding circles of the same diameter.
It is considered by some to be a symbol of sacred geometry, said to contain ancient, religious value depicting the fundamental forms of space and time. In this sense, it is a visual expression of the connections life weaves through all sentient beings, believed to contain a type of Akashic Record of basic information of all living things.
If the, Flower of Life, geometrical figure is perceived as a 2-dimensional section, of a 3-D to 5-dimensional form, then a grid(with countless forms, located within) is conceivable. (theory~Plato described the Earth as having a dodecahedron grid.)
There are many spiritual beliefs associated with the Flower of Life; for example, depictions of the five Platonic Solids are found within the symbol of Metatron's Cube, which may be derived from the Flower of Life pattern. These platonic solids are geometrical forms which are said to act as a template from which all life springs.
Another notable example of that which may be derived from the Flower of Life is the Tree of Life. This has been an important symbol of sacred geometry for many people from various religious backgrounds. Particularly, the teachings of the Kabbalah have dealt intricately with the Tree of Life.
According to Drunvalo Melchizedek, in the Judeo-Christian tradition, the stages which construct the Seed of Life are said to represent the seven days of Creation, in which Elohim (God/concept of divinity) created life; Genesis 2:2-3, Exodus 23:12, 31:16-17, Isaiah 56:6-8. Within these stages, among other things, are the symbols of the Vesica Piscis (an ancient religious symbol) and Borromean rings (which represents the Holy Trinity).
The Temple of Osiris at Abydos, Egypt contains the oldest known examples of the Flower of Life. Precisely how old these inscriptions are is unknown. Suggestions that they are over 6,000 years old and may date back to as long ago as 10,500 B.C. or earlier are entirely speculative and not based on any factual reality.
The most recent research shows that these symbols can be no earlier than 535 B.C. and most probably date to between the 2nd and 4th century AD, based upon photographic evidence of Greek text, still to be fully deciphered, seen alongside the Flower of Life circles and the position of the circles close to the top of columns, which are over 4 metres in height. This suggests the Osirion was half filled with sand prior to the circles being drawn and therefore likely to have been well after the end of the Ptolemaic dynasty.
Possibly five Flower of Life patterns can be seen on one of the granite columns and a further five on a column opposite of the Osirion. Some are very faint and hard to distinguish. They have not been carved into the granite being drawn in red ochre with careful precision.
Christianity has many symbolic connections to the Flower of Life. Most notably, the Seed of Life and components within the Seed of Life have strong Christian meaning to them. Such components are the Spherical Octahedron, Vesica Piscis, Tripod of Life, and Tree of Life (Kabbalah). Also the symbol of Metatron's Cube is delineated by a component of the Flower of Life and has appeared in Christian art.
The Kabbalah, which has historically been studied by the followers of Judaism, holds some symbolic connections to the Flower of Life.
The symbol of the Tree of Life, which may be derived from the design of the Flower of Life, is studied as part of the teachings of the Kabbalah.
Additionally, the symbol of Metatron's Cube, found by connecting the centers of each circle in the Fruit of Life, is seen in early Kabbalist scriptures.
In New Age thought, the Flower of Life has provided what is considered to be deep spiritual meaning and forms of enlightenment to those who have studied it as sacred geometry.There are groups of people all over the world who derive particular beliefs and forms of meditation based (at least in part) on the Flower of Life. FlowerofLife.org, for example, coordinates workshops at locations all over the world, in which they teach their New Age beliefs, methods, and interpretations of the Flower of Life.
The concept of the Tree of life has been adopted by some Hermeticists and pagans. The symbol of the Tree of Life may be derived from the Flower of Life.
One of the earliest known occurrences of the Vesica Piscis, and perhaps first, was among the Pythagoreans, who considered it a holy figure. The Vesica Piscis is a basic component of the Flower of Life.
Components of the Flower of Life have been a part of the work of Alchemists. Metatron's Cube is a symbol derived from the Flower of Life which was used as a containment circle or creation circle.
Leonardo da Vinci studied the Flower of Life's form and its mathematical properties. He drew the Flower of Life itself, as well as various components such as the Seed of Life. He drew geometric figures representing shapes such as the platonic solids, a sphere, a torus, etc., and also used the golden ratio of phi in his artwork; all of which may be derived from the Flower of Life design.
Star of David Merkaba
Sacred Geometry Golden Ratio - Spiral of Consciousness
The "Seed of Life" is formed from seven circles being placed with sixfold symmetry, forming a pattern of circles and lenses, which acts as a basic component of the Flower of Life's design.
According to some researchers, the Seed of Life is a symbol of depicting the seven days of creation in which God created life; Genesis 2:2-3, Exodus 23:12, 31:16-17, Isaiah 56:6-8. The first day is believed to be the creation of the Vesica Piscis, then the creation of the Tripod of Life on the second day, followed by one sphere added for each subsequent day until all seven spheres construct the Seed of Life on the sixth day of Creation. The seventh day is the day of rest, known as the "Sabbath" or "Shabbat."
In the 13th century, a Cabalist group from France succeeded, through geometric interpretation, in dividing the entire Hebrew alphabet into an order using the Seed of Life. The resulting alphabet was remarkably similar to that of the Religious sage Rashi who wrote his commentaries on the Old Testament at that time in France.
The Grids and Geometric/Sacred Form
When we speak about the grid, many of us are reminded of the grid as it has been depicted in some books-a matrix of angular energy lines extended above our planet. This of course is correct, however there is far more to the grid than this.
Grids are actually fractal and holographic, and they span all of creation including its many dimensional levels. They are not just on Earth, but correspond to the physical universe. The physical universe does not exist without these grids. They are needed to ensure the appropriate distribution of life-force energy, provide the templates needed for material creation, and much more. Not only that, but they are a physicalized expression of the sacred code of creation itself. They are not inanimate "objects" - they are a blueprint of consciousness itself, expressed in a harmonic form.
The concept of grids is easy to understand if one has done some investigation of sacred geometry. In order to delve deeper into the understanding of consciousness grids, we will need to lay some groundwork first. For those who are new to sacred geometry, let me first say that grids are expressions of energy and consciousness that follow proportions defined by principles of sacred geometry and they span the entire multidimensional universe. What is sacred geometry? Everyone knows what geometry is, and anyone can draw a geometric form. But when you relate Great Spirit, consciousness, or "God" and the opening of the heart to geometry, you are creating sacred geometry.
Sacred geometry is the expression of geometry related to the evolution of consciousness, mind, body, and spirit in geometric terms. True sacred geometry is not just static angular forms. It is organic and living-it is in constant evolution (transcendence) or devolution (materialization), ascending or descending from one form to another.
So the grid of the planet is an actual geometric and energetic expression of the principles of creation that can serve as a bridge between our planet's physical and energetic manifestions. To get an idea of how vast the grid actually is, let's look first at our planet. On this planet, in order for the smallest particle, element or compound to congeal and materialize, it needs a blueprint and a template for its construction and purpose of existence.
The blueprint and template for our planet is the grid itself. The grid serves as a guide or blueprint around which muons, quarks, positrons, electron, atoms and finally compounds organize. The grid ensures proper distribution and alignment of the needed elemental components, which are the building blocks for creation. It also insures the proper distribution and alignment of life-force energy and the many frequencies needed to maintain an effective energetic phase relationship of the planets frequency spectrum. (Phase relationship ensures coherency, but that is a subject too vast for this article.)
So actually there exists a stratification of grid templates needed for any element to form. This stratification occurs from spirit to the etheric, to the electrical, to the gaseous, fluid and denser material. Consciousness moves through varying graduations of fabric density in order to affect each level from the very sublime to the dense.
Let's examine an example of grids that organize physical matter. An organizing grid is needed for each of the 108 elements in the periodic table in order to maintain order and functionality in the atomic configuration, otherwise without a grid template, it would soon lose its ability to maintain self organization. Likewise, a grid is needed for every species of bacteria, fungus, plant, insect, animal and mammal.
Let's look at the electron diffraction pattern in elements such as Beryl and Salt:
Electron View of a Salt Crystal
Electron View of a Beryl Crystal
In the photos above, we can see the atoms stretched across the grid in an organized fashion. These round electrons line up to form a mandala pattern just like a platonic solid or a combination of platonic solids.
If we look at Hans Jenney's work called Cymatics we can see examples of how placing sand on a circular metal plate capable of holding a musical tone when struck causes the the sand particles to form geometric patterns for each note. Change the note and you change the geometric configuration. When we look at Masaru Emoto's work from "Messages from Water" or Dr. Lorenzen's "Clustered Water" we can see the geometric pattern even in the atomic levels of water.
When we look closely at our 3D reality, we can see sacred geometry in all things. Minerals organize themselves in sacred geometric proportions and we can see this in most gem and mineral books, which lay out their respective geometric blueprint.
The planetary grid then is like a garden "trellis". The garden trellis guides vines and other plants to stretch and grow out and up across the latticework in a certain "shape". The two principal elements of a grid are the latticework and the fabric. Both have qualities or characteristics. We could call the latticework the masculine aspect and the fabric the feminine. Both work harmoniously with each other to integrate the diversity of life. This is similar to the metal ribs and the waterproof fabric of an umbrella. The metal structure allows for the fabric to be stretched across it so its full functionality can be expressed.
With human beings, we have a similar analogy. As spiritual beings in a human body, our spiritual aspect is born of a fabric that is so all-encompassing and holographic that it is literally connected with and spans all life and all of creation. To place the immenseness of all that into a physical body means that we have to fold up the vast umbrella of our being into a kind of butterfly cocoon and temporarily close it, awaiting the time when we unfurl our fabric and remember who we truly are. Nested and folded within all of us is an infinite expanse of fractal and holographic fabric of tremendous interconnection with all of creation.
The Christ Consciousness grid is the planet's version of this umbrella analogy - a fully opened fabric of creation that keeps us connected to our origins and stimulates us to evolve forward into reunification.
Consciousness grids hold the memory of cosmic interconnectedness, thus stimulating self-actualization, for those who attune to them.
We are, seemingly, interwoven networks of energy and communication. There is much to explore and be explored, as we continue to evolve, folding and unfolding.
~As above... so below/As within...so without~